Tag Archives: New Zealand

Visiting Dickinson State University

Left to right, Historian Frank Varney, Aaron Barth, and Political Scientist Steven Doherty.

Left to right, Historian Frank Varney, Aaron Barth, and Political Scientist Steven Doherty on the campus of Dickinson State University, western North Dakota.

Yesterday Dickinson State University (via Frank Varney) invited me to speak about a component of research concerning how and why the US-Dakota Wars (1862-1864) were remembered at the turn of the 19th century throughout the Minnesota River Valley and on the northern Great Plains. It was great to get west of the upper Missouri River and spend some time with Varney and other fellow history and humanities nerds. I like this topic — thinking about how the US-Dakota Wars were remembered — because it mitigates what I call historical anxiety. I’ve thought about this phrase for a while, and loosely define it as that anxious feeling of not knowing how and why something happened in a particular place in time. A way to mitigate historical anxiety is to head into the archives and cobble together a narrative from the disparate bits and pieces. Through this I’ve been able to understand why the US-Dakota Wars were memorialized the way they were at the turn of the 19th century.

I’m using this, in turn, to push the way in which we think about the US-Dakota Wars today: largely as genocide, the word invented and deployed by Raphael Lemkin first in 1944. At the root, genocide comes from the Greek genos, which roughly means people or tribe; and the Latin cide, which means killing. Don’t take my word for it, though: visit Sully and Sibley in their own words. One humanistic universal I pitched out there to the group was that if the United States concerns (as it should) itself with genocide taking place today in Syria, and in other parts of the world, the U.S. should also concern itself with and consider the genocide that took place in our own past. Otherwise it just gets awkward, as the question will invariably come up time and again. So we can either chat and consider this, or just pretend like it doesn’t exist. If we pursue the latter, it just ends up leading to long bouts of awkward, uncomfortable silence. More on all this scholarship later, at least as it applies to the US-Dakota Wars, and the broader 19th-century Anglosphere.

Just a real quick warranted amplification of Varney’s work (he is in the midst of preparing a second volume that builds off his first monograph), General Grant and the Rewriting of History: How the Destruction of General William S. Rosecrans Influenced Our Understanding of the Civil War (Savas Beatie, 2013). Click on that link. If you enjoy history, or have thought deeply or superficially (there are only so many hours in a day) about memoirs, or Grant’s memoirs, definitely give it a go.


Vegas to Fargo

Molly and I returned to Fargo from spending a Christmas in fabulous Las Vegas, Nevada, and we are settling back into our regular duties on the northern Great Plains. Since temperature comparisons are eternal sources of fun and conversation, it seems worth while to note that right now, as I type, the temps in Fargo are 29°F, while in Vegas it is 39°F. Of course, the Vegas high is expected to top out at 65°F today, while the Fargo high at 37°F. Of the latter, this means snow will melt so it can freeze solid when the temps return to sub-zero starting this Sunday (the Fargo high for Sunday is -7°F, dipping further to -13°F on Wednesday and Thursday — yes, the high, not the low).

So yes, the weather is always fun to talk about. I don’t mind the cold, or the bitter cold, but I know it can be a huge morale crusher for many of my family, friends and comrades on the northern Great Plains. One solution I have used, at least for myself, is psychological, and that is to simply own it (versus complaining about something, which doesn’t make it go away). The other is to keep moving. Another is to use it as time to enjoy hot coffee, grilled cheese, and tomato soup even more (it tastes better when it’s frigid outside). As a kid, when it was this cold I remember my mother trying to keep us inside. All we wanted to do was bundle up and go outside for hours on end to sled, build snow forts, have snow ball fights, and so on. So that’s a mild tangent on this Friday morning.

And since I’m on weather conversation, below is a video short from time recently spent presenting at a scholarly conference in New Zealand. This is of the Milford Sound fjord, west coast of the south island, New Zealand. In late November, of course, Kiwis are transitioning from their spring to summer. So it’s a perfect time to take a short boat ride out from the fjords to the Tasman Sea and back. That’s what we did. The boat captain gave us all a close up of the humbling waterfall, too. Here it is, from my perspective.


Northern Great Plains Shu Mai

OLYMPUS DIGITAL CAMERAAlthough this blog leans toward history updates, I like to give food entry updates every now and then. Yesterday I determined to make east Asian steamed dumplings. The main factor of dumpling preparation is making the dough. This requires about 1 part boiling water to 3 parts flour, as the boiling water brings out the elasticity in the dough. I used North Dakota State Mill organic flour. After adding the boiling water, I mixed it with a wood spoon until the dough was cool enough to mix by hand.

The recipe in front of me also called for ground pork, but instead of that I used local goat shank that I had in the freezer. The goat meat came from County Line Meats, this just south of Jamestown. Since the recipe called for 2 minced garlic cloves, I added 5. Also into my dumpling mix went minced chives, onion, carrot, ginger, and a dash of rice wine vinegar, cane sugar, ground pepper, mint and soy sauce.

All this filling gets centered in the middle of the thin dough sheets I rolled out. Then a systematic pinching of the dough around the perimeter forms up these dumplings, almost into the shape of little pies. I dropped these into the bamboo steamer, but after laying down a layer of cabbage. I didn’t have Napa cabbage handy, so I used standard issue Euro-American cabbage. The dumplings were great, and since the goat, flour and cabbage were local, I decided they were Northern Great Plains-Chinese fusion dumplings.

The next dumplings I make are going to be an appropriated recipe we recently had in New Zealand. They were wontons filled with minced lamb, onion and mint. They came with a mint dipping sauce too. They were spectacular. It’ll be easy enough to re-create goat-mint shu mai. Everyone should do this. It’s not difficult.


Scholarly Publishing Houses in New Zealand

Since having returned from the South Pacific, and now back on the northern Steppe of North America, I have been rummaging through all the pieces of paper one accumulates while on short or long journeys. I came across the flyers, handbills and handouts that speak to the various scholarly publishing houses in New Zealand. Before my New Zealand trip, these were off my radar. And I figured since I didn’t know about them but do now, I’d share the findings and provide links. There is Bridget Williams Books, Auckland University Press, and Otago University Press. There, of course, are more (this is not exhaustive). But this is a start.

During the New Zealand Historical Association conference, a panel of editors from these scholarly and academic presses spoke to where scholarly publishing has been, where it is today, and where it might go tomorrow. This, I know, is an excellent idea for any scholarly conference, since the only way scholars can disseminate their research is by getting it published. And to get something published requires one to get to know the editors in charge of the publishing houses. And so on.


Art After the Earthquake: Public Art and Public History in Christchurch, New Zealand

The Anglican Cathedral in Christchurch Square. Photo from November 26, 2013.

The Anglican Cathedral in Christchurch Square. Photo from November 26, 2013.

Since September 4, 2010, an earthquake and subsequent aftershocks have caused death and damage to the South Island of New Zealand. Yesterday, on November 26, 2013, Matthew McLain, Molly McLain and I had a chance to visit Cathedral Square in downtown Christchurch. Since the earthquakes first started in September 2010, I had followed the destruction here and there from North Dakota. Like many (or all) destructive events, one gets a different impression from reading about it in contrast to physically visiting it.

In the aftermath, Christchurch has charged artists and historians to inspire and encourage. We saw a few pieces of local public history and public art, this amidst the endless sounds of jackhammering, and sights of construction barriers, rubble, razed and condemned buildings, chain link fence and orange road cones. I enjoyed on piece of public art history entitled “A vast, changing canvas.” The short narrative said,

A public history display in Cathedral Square, downtown Christchurch, New Zealand. Photo from November 26, 2013.

A public history display in Cathedral Square, downtown Christchurch, New Zealand. Photo from November 26, 2013.

In the city’s altered centre, art, storytelling and the realm of the imagination claim a vital role. Artists Chris Heaphy and Sara Hughes have unleashed color, pattern and energy to communicate an active sense of possibility.

It completely makes sense when wandering around the otherwise grey concrete and rubble-strewn urban scape of the Cathedral District. One piece of public art was a glorified living room covered in astroturf. This impressed upon me the idea of returning the Cathedral District to an outdoor living room. The large sofa, when sitting on it, points you toward the severely damaged Anglican Church.

Another public piece of organic art is the botanical entry that frames the way visitors and sight-seers can view the church (and potential rehab, much of which is documented in this blog here). The three of us had a hard time finding sensibly priced lodging in downtown Christchurch, so we took to the non-city centre and eventually found a cozy little motel. I think it’s important to note here, though, that Christchurch is functioning. In the wake of the September 11, 2001 destruction, I remember Mayor Rudy Giuliani encouraging non-New Yorkers to continue visiting New York City. A couple friends of mine and I ended up taking him up on that, and we visited downtown New York City and Ground Zero in late September 2001.

Public Art that impressionistically simulates an outdoor living room in Cathedral Square, Christchurch. Molly McLain is obliging the artists, and taking it all in.

Public Art that impressionistically simulates an outdoor living room in Cathedral Square, Christchurch. Molly McLain is obliging the artists, and taking it all in.

If someone was to ask me whether or not to visit Christchurch, this in the context of all the rebuilding, I’d encourage it. You might want to book additional sight-seeing to the variety of wineries and vineyards surrounding Christchurch, or the hot spring pools in Hamnar Springs, or the natural history that is the Fox Glacier or Franz Josef Glacier, or (you get the idea). We’ll continue thinking of Christchurch, and we are thankful for the artists that have been charged with and want to reinvigorate the local human spirit. This works just as well in the formal and informal sense. For example, while waiting for our out-going flight at the Christchurch airport, a young kiwi just ran up to Molly and handed her a home-made Merry Christmas card; Molly is creating her own as a response. Inspiration, or inspiring the spirit within others, is contagious that way.


Chinese Pacific World History

Henry Yu provides the final keynote lecture.

Henry Yu provides the final keynote lecture at the New Zealand Historical Association Conference.

On Friday morning, Henry Yu provided the final keynote lecture at the New Zealand Historical Association conference. Yu’s lecture title was, “The Cantonese Pacific: Anti-Asian Politics, and the Making and Unmaking of White Settler Nations.” Yu talked about the 19th century Chinese migrants specific to the social history of ideas. He explained the notion of Gum San, the namesake that Cantonese migrant gold workers gave to the places they imagined themselves eventually arriving at. Gum San signified an idea rather than a place, and they would travel to these goldfields with the psyche of making it: before we can act, we must first have an idea of action. In some cases the workers returned to their homelands, or their villages, ideally with money that allotted them control over their own destinies. In other cases they always envisioned returning, but remained in their non-homeland locales throughout New Zealand, Australia, and North America. It was great to hear Yu talk about all of this.

My notes from the Henry Yu talk.

My notes from the Henry Yu talk.

Yu’s work fills in large gaps in Pacific and world history, and I thought about at least four things during his talk. The first had to do with the Chinese graves that I remembered visiting a couple years ago while in Deadwood, South Dakota, this of the early Chinese gold miners and service industry workers in the Black Hills. The second has to do with the Chinese labor force that built large segments of the railroad throughout the American West. The third had to do with analogies to contemporary migrant workers entering the business of mineral extraction in western North Dakota. And the fourth had to do with how much easier it was for a migrant laborer to travel across national and imperial boundaries before the nation-state created elaborate bureaucracies to inhibit this (largely in the name of race and nation, at least by the turn of the 20th century).

But I don’t have much time to digress on all of this because I need to get over to the Settlers Museum in Dunedin.


Live Blogging from the NZHA

I’m currently sitting in on Patrick Coleman’s talk entitled “Transnational Orangeism” at the New Zealand Historical Association’s biennial conference in the very antipodes at the University of Otago, Dunedin, south island New Zealand. The Orange Order was a militant organization that rose out of anti-Catholic sentiments in Ireland in the late-18th century. The order reached back into history to grab hold of the memory of William of Orange’s victory over King James. The former was protestant, the latter Catholic. It was a battle that was couched in religious terms, not only about politics and power, but the overlap of religion, politics and power.

Patrick Coleman considers the Orange Order in world history.

Patrick Coleman considers the Orange Order in world history.

The Orange order was global, and they established lodges throughout the world (Canada, the United States, New Zealand, Australia, etc). Patrick used the historical figure of Edith O’Gorman (1842-1919), using historical biography to explain how the ideas of this particular movement moved across the world. Edith was famous amongst her 19th century Orangeists because she escaped nun-hood, converted to protestantism, and went on to give public talks about her self-described struggle.

The use and consideration of using historical biography to discuss world historical events has been a theme of several historical talks at this conference. Maya Jasanoff chatted yesterday about her work which considers Joseph Conrad and his novels as windows into the marginal territories of the global British Empire at the turn of the 19th century. So without going too much further into all of this, I’ll press “Publish” on the blog post and put my computer away to redirect my focus on this next talk.