Rough World Historical Thoughts on Castle Larnach

Castle Larnach, Dunedin, NZ.

Castle Larnach, Dunedin, NZ.

There are two items to blog about today. The first is the short record as to what we did yesterday, and the second is what is on the itinerary for today. They blend together, as life does, and I’ll try to make sense out of that below. Of the former:

Yesterday morning Matthew, Molly and I walked a couple blocks to the center of downtown Dunedin, to what I’ve been calling the undisputed octagon (because the city center was laid out like an octagon; not because it has any association with Ultimate Fighting). I learned quickly to watch for the little green man, an indicator that lets pedestrians know when it is a guarded time to cross the street. We also found a grand little breakfast shop. One contrast between NZ and ‘merica is that restaurants and cafes are, generally, a bit more spendy than the States. But this is offset by the reality that NZ servers are paid a greater wage than State-side servers, and this also means that when in NZ one is not expected to tip.

Also, the breakfast was delicious. Matt had French toast and Molly and I split a breakfast of egg, toast, bacon and sausage. It was a very traditional breakfast, at least if one grows up on the northern Great Plains of North America. In many ways NZ is like a parallel universe to the English-speaking Atlantic World, which in turn gives a person pause as to the influence the 18th– and 19th– century Great British world had on the globe. This is going to be a point of conversation for the second item today, which is the Writing Histories of Empire and Colonialism, this put on at St. Margaret’s College at the University of Otago, Dunedin.

Castle Larnach stairwell, from the top floor looking down.

Castle Larnach stairwell, from the top floor looking down.

One of the aims of this history workshop is to bat around and consider ideas about how to write solid global history. One of the potential problems with writing world history is that one is dealing with a large topic, and there is always a danger of saying nothing in an attempt to say everything. So this is why we don’t do that. Instead, a different way to go about it, at least as I’m sitting here and typing, is to 1) work in topics of 3s and 4s; 2) give the reader a personal element to fixate on; and 3) carry a theme/thesis that runs through the entire historical essay or monograph — this, arguably, can be a model for any writer’s workshop.

So to return to the first blogging topic for today: I’m thinking a bit about yesterday afternoon, when we all visited, had high tea, and took an afternoon stroll at and of Castle Larnach, a late-19th century industrial Victorian “home.” While wandering through this castle, I thought about simultaneously how great a view one had from the top of the castle tower and about the excessive absurdity of this kind of built la-la land. I say la-la land because castles, in their original utilitarian form, were built as defensive positions, often in an attempt to protect the feudal lord and local populace when mean outsiders wanted to be mean to the said lord, baron and locals.

In the case of Castle Larnach, this banker and politician made a ton of money off the New Zealand and Australian gold fields, and then decided to conceive of himself as some kind of varietal noble. It reminds me of super late-19th century castles in America, such as the James J. Hill home in St. Paul, Minnesota. It is these sorts of industrial wealth concentrations that, after the turn of the 19th century, Progressive Republicans such as Theodore Roosevelt thundered against, or sought to break up. (Out of this period in world history, we get self-validating, hyper-dodgy theses that the über-rich came up with, such as Social Darwinism and the Social Gospel — we’re rich because either nature or God made us rich). The notion here, though, is to consider how or if a world historical theme is reflected on the local level. Then, in theory, readers might think of their own regional histories as being both local and global.

Fern, the exhausted and super friendly castle dog at Castle Larnach. Nothing gets by Fern. Not that she cares, though.

Fern, the exhausted and super friendly castle dog at Castle Larnach. Nothing gets by Fern. Not that she cares, though.

Another point to consider is that the James J. Hill home, and this Scottish castle in Dunedin, could not be sustained for any length of time, at least not by a singular family. Today they have turned into public historical enclaves, administered by private or public entities, and the public has access to them in ways that they wouldn’t have in their original historic context.

Anyhow, and moving along, I’m excited to get after this first day’s seminar/workshop. All of the world history workshop attendees are required to read three different essays which, of course, I did on the flight over. The readings include Linda Colley, The Ordeal of Elizabeth Marsh (2007), Maya Jasanoff, Liberty’s Exiles: The Loss of America and the Remaking of the British Empire (2011), and Tony Ballantyne, “On Place, Space and Mobility in Nineteenth-Century New Zealand” in the New Zealand Journal of History, 45, 1 (2011). But enough about all this. It’s almost 8:00AM Dunedin time, and we need to track down this thing in Australia and NZ called breakkie.


Waking Up in New Zealand

It’s the first morning in the Southern Hemisphere, this in Dunedin, New Zealand. One is quickly reoriented to the reality that November 18, 2013 is summer in this hemisphere, and this means the days are longer than the November 15 days on the northern Great Plains of North America. Obvious, right? But not so much until experienced.

Matt and Molly stand below a modest Lord of the Rings statue at the airport in Auckland, New Zealand. The Lord of the Rings was filmed in New Zealand.

Matt and Molly stand below a modest Lord of the Rings statue at the airport in Auckland, New Zealand. The Lord of the Rings was filmed in New Zealand.

We are a group of 5 from North Dakota. This includes Tom Isern (North Dakota State University) and Suzzanne Kelley (New Rivers Press, Minnesota State University Moorhead), who will be attending and presenting at the New Zealand Historical Association‘s biennial conference (I’ll be presenting at this conference, representing North Dakota State University too; much more on that in the coming days). It’s also great to have Molly (my girl) and her brother, Matthew, along, as they are going to drop in on some of the conference activity but direct most of their energies to take in the New Zealand south island senses of place.

Our group originated from Fargo (Matthew got a ride from his sister, Mira, over from Valley City that morning). Our friend Jay Krabbenhoft took us to Fargo’s Hector airport, and we boarded a flight to Chicago; then to Los Angeles; and then to Auckland, this in the northwestern north island of New Zealand; then one last flight to Christchurch in the northeastern part of the south island. From there the flights stopped, and we took to automobile. At the airport, Tom and Suzzanne’s friends Kevin and Margaret O’Connor met us, and we grabbed lunch and chatted with our welcoming party. Tom and Kevin have known one another for over two decades, and they had deep conversational backdrop to draw from.

Old collegiate souls Kevin and Tom catch up at lunch in Christchurch, New Zealand.

Common collegial souls Kevin O’Connor (l) and Tom Isern (r) catch up at lunch in Christchurch, New Zealand.

After that it was a drive from Christchurch to Dunedin where the University of Otago is located (the southern-most university in all the world). We stopped a couple places along the way, including the port town of Oamaru. The city itself has done a fantastic job of rehabilitating and restoring the port warehouse district into a place of bike shops, breweries, taverns, pubs and eateries.

At the beach in Oamaru, we also saw a penguin refuge (it was the first time I got to view a beachside penguin refuge — totally off my radar up until this point). The penguins were nowhere to be seen, but it’s really hit or miss when they are there. (Note: New Zealand has a great variety of flightless birds, as the island lacks predators that find them tasty). So from Oamaru, we drove down to Dunedin, checked into our lodging, caught a bit of late dinner, and then let our heads hit the pillows.

Molly and I on the penguin refuge beach in Oamaru, New Zealand.

Molly and I on the penguin refuge beach in Oamaru, New Zealand.


Valley City’s Concrete Rainbow Bridge

In 2004, the North Dakota Department of Transportation, the Federal Highway Administration, Kadrmas, Lee & Jackson, Inc., and Industrial Builders, Inc. (Fargo), all collaborated to rehabilitate and rebuild to almost complete historic specs the historic 1925 concrete rainbow bridge in Valley City, North Dakota. I took a panoramic photo of it and wanted to share it. So here you go.

A November 14, 2013 photo of the Rainbow Bridge in Valley City, North Dakota.

A November 14, 2013 photo of the Rainbow Bridge in Valley City, North Dakota.


Industrial Indigenous Art at the University of Montana

"Charging Forward" (2001) by Jay Laber. Photo taken in July 2013.

“Charging Forward” (2001) by Jay Laber. Photo taken in July 2013.

This last July, Molly and I took a solid but much-too-short tour of the northern inter-mountain American West. This was in part vacation, part research (ever since reading John Barnes 2008 article in The Public Historian on the Bear River Massacre, I had been determined to visit the site myself), and part visiting and catching up with our family and friends. We dropped in on Livingston and Missoula, Montana; Salmon, Idaho; Salt Lake City, Utah; Cheyenne, Wyoming; Spearfish, South Dakota; and Bismarck, North Dakota.

Another part that comes along with a research-vacation-visitation such as this is that one invariably stumbles into the unanticipated, and that’s exactly what happened while on the University of Montana campus.

The sculpture pictured here is by Jay Laber (Blackfeet), “Charging Forward” (2001). When we came across this work of industrial indigenous art, it reminded me a bit of how two worlds were blending: the pre-Industrial world of the plains indigenes portrayed through the industrial and post-industrial medium of welding and scrap metal (those found objects). In my own memory bank, it caused me to think about Mad Max films and a scrap yard that used to be on the east edge of Main in Bismarck (just behind the Big Boy). Art is fun that way, whether poetry or sculpture or you name it. The randomness triggers the unanticipated, those memories we forgot about or didn’t know existed. Laber has inspired me. 


Some Rough Notes on Armistice Day

A section of Joe Sacco's 24-foot-long illustrated panorama of the Battle of the Somme, First World War.

A section of Joe Sacco’s 24-foot-long illustrated panorama of the Battle of the Somme, First World War.

It is Armistice Day today, or what in the U.S. we often refer to as Veterans Day. In the last couple days, I’ve noticed a couple news outlets (here and here, and friends, including Richard Rothaus) commenting or  reporting on Joe Sacco’s latest illustrative work on the Great War entitled, The Great War: July 1, 1916, The First Day of the Battle of the Somme, An Illustrated Panorama (W.W. Norton, 2013).  In America, there is a tendency to remember the Second World War more than the First World War. The former was a kind of mopping up of the latter.

Within that former, or WWI, The Battle of the Somme (or Bataille de la Somme; or Schlacht an der Somme) took place between July 1 and November 18, 1916, and it proved to be one of the most horrific military engagements in industrial human history, where something like 60,000 soldiers died, and a total of 1,000,000 men were wounded or killed. Sacco portrays this in his 24-foot-long panorama, complete with howitzers, machine guns, entrenched soldiers in tin hats… The details are superb, and so is the idea of illustrating war with the medium of cartoon. Another recent portrayal of the serious topic of war by way of cartoon comes from Waltz with Bashir, some remarks on that here.

The Battle of the Somme map from Wikipedia commons.

The Battle of the Somme map from Wikipedia commons.

I think the medium of cartoon is attention-getting, especially for these serious topics, for a couple reasons. When it comes to the First World War, it sometimes seems that we’re reading about a topic that certainly happened, but it is in such a far away temporal place. By capturing or re-imagining it with cartoon, a viewer is impressionistically given the choice to mentally go back and forth between the idea of a cartoon and that of reality. One is supposed to be nonrealistic while the topic is very, very real. This in turn is of interest because wars have induced re-education, at least where nations try to get their soldiers to think of the enemy as just that: non- or sub-human, something we might call the “other,” often captured by the phrase, “They aren’t like us.” This psychology, at least as laid out by Ari Folman’s Waltz with Bashir, allows a soldier to not think too hard about pulling the trigger or getting up out of one’s trench and marching head-long into mortar and machine gun fire: one doesn’t think about marching into mortar and machine gun fire before or while marching into mortar and machine gun fire.

This is a point of discussion — conceptualizations of “the other” — that comes up from time to time in the history of conflict on the northern Great Plains. Just last week, while talking about Paul Beck’s, Columns of Vengeance (U of Oklahoma Press, 2013), I was thinking about how much these otherwise ordinary farmers were mustered into being Union soldiers, and how they  conditioned themselves (or were conditioned) to think of Native America as something other than human. When someone thinks of another human as sub-human, the human with those thoughts is becoming less than human. We might also say that humans are capable of great compassion, but they are also capable of atrocious avarice and hate. By being conscious of this, perhaps we can lean more toward the compassion and empathy instead of the avarice, malice and hate.

Barth Memorial Tree

An August 5, 2012 photo of the Charles Barth memorial oak tree.

War is terrible, and terrible things will always happen in war. It’s important to reflect on this. I was privileged to be able to chat at length about the Second World War with my late great uncle Charles “Bud” Barth. He was a front-line medic in the European Theatre of the Second World War. I have blogged about these chats here and here and here. Anyhow, that’s what I’ve thought about a bit this morning.

At left, here is a August 5, 2012 photo of the silver oak tree I planted in my family’s yard in Bismarck, North Dakota, right around the time that Charles passed away. I call it the Charles Barth memorial oak tree. The tree itself was purchased from Cashman’s Nursery, a great local greenhouse in southeast Bismarck. I’m reminded of Charles when I look at that tree.


Dakota Goodhouse’s Winter Counts

Chapter 4 of "The Year the Stars Fell: Lakota Winter Counts at the Smithsonian" (2007).

Chapter 4 of “The Year the Stars Fell: Lakota Winter Counts at the Smithsonian” (2007).

In the last couple days, Dakota Goodhouse (his blog, which you’ll want to visit, linked here) and I have been hanging out in downtown Fargo, as he’s in town to expand on the Native tradition of winter counts. He crashed at my place for a couple nights, and last night we had dinner over here after his short talk at the Spirit Room (this was organized and funded through a collaboration between the Fargo-West Fargo Public Schools Indian Education program and the North Dakota Humanities Council). Dakota and I chatted more about winter counts, and about future prospects of scholarly interest and inquiry.

I’m thinking that winter counts, and the history of them, have become popular enough that I don’t really need to explain them. But just in case, a winter count is an annual pictograph painted onto the larger medium of buffalo or elk hides. In the latter part of the 19th century, they were painted onto canvas. These counts provided the owner or memory group with a traceable past, the pictograph often representative of a successful high-point of that year.

Dakota Goodhouse explains the stories reflected by and attached to the pictographs on the bison hide.

Dakota explains the stories reflected by and attached to the pictographs on the bison hide.

While Dakota explained the winter counts to the group at the Spirit Room last night, he pointed to one of his buffalo hides while expanding on how he saw something different in that particular account. This particular account is a symmetrical series of triangles running around the circumference of a circle. Some years ago, Dakota said he used to think of this as a war bonnet laid out on the floor. Today, though, he said it also looks like the plains indigene narrative attached to what we call “sun dogs.” One of the stories that he knows is that the sun dogs are thought more of as camp fires next to the sun.

These various stories got me thinking at least two related things that are slightly polemical. The first is something we deal with every now and then, and that’s one-dimensional thinkers who sometimes say, “Well, cultures with oral traditions don’t have a history, or if they do it’s impossible to trace.” This is always a fun question to respond to, but last night I was thinking more-so of how a person who reads a novel, or a good piece of history, are likely to walk away with a different perception about the same piece of scholarship within the span of two or more readings.

A picture of Dakota being hilarious.

A picture of Dakota being hilarious.

This is similar to the winter count. Dakota explained the difference in how one individual, when looking at the bison robe laid out, might see a native headdress while another might see sun dogs, parhelia, or what the Dakota call wi’aceti, this roughly translated and defined as “when the sun makes fires.” Dakota added that the winters on the northern Great Plains are so cold that the sun requires camp fires to keep it warm.

From here on out I decided to abandon the sun dog phrase and replace it with wi’aceti (pronounced, roughly, “we-ah-che-tee”). If anyone wants to join me on the northern Great Plains in this effort, by all means. If we hear someone say “sun dog,” please feel free to add wi’aceti to that, and with explanation.

Also, Dakota contributed heavily to a piece of winter count scholarship that yo might be interested, chapter 4 of Candace Greene and Russell Thornton, The Year the Stars Fell: Lakota Winter Counts at the Smithsonian (Lincoln: U of Nebraska Press, 2007).


Punk Archaeology Updates

Before getting after some technical writing this morning (only to be later usurped by some Dakota language studies), I thought I’d link to some forthcoming scholarly analyses on the cultural movement of Punk in all of its unadulterated filth and fury. You can read about the soon-to-be-realeased Punk Archaeology anthology here, and about a work of Punk Sociology here. It was great this morning to come across a local story of a proto-punk Jonathan Richman, who is getting ready to play the Aquarium in downtown Fargo, North Dakota this next week too.

On this single-chord punk note, it’s appropriate to mention the passing of one of the first proto-punks, as memorials and obituaries on Lou Reed have been popping up all over the place (here, here, here and here). This shouldn’t eclipse the passing of folk punk hero Phil Chevron (aka, Philip Ryan of The Pogues or The Popes, depending on the year) in early October 2013. A sad reality for sure, and a time for reflection and contemplation.

An October 19, 2013 photo of Modern Times Cafe.

An October 19, 2013 photo of Modern Times Cafe.

And although we are losing our original punk heroes, punk culture continues pushing in a variety of directions today. Here is a photo from some boots-on-the-ground punk (lower case “p”), this coming from the delicious Modern Times cafe in Minneapolis, Minnesota. A couple weeks ago Molly and I had a chance to make a quick jaunt down the I-94 block from Fargo to MSP to visit a couple friends, and the next morning we hit up this cafe. It’s at the intersection of Chicago Avenue and E. 32nd St. in Minneapolis, and everyone should go here. It’s a place where punks either are parents or a place where punks bring their parents to engage in politely brash conversation and society. A couple more photos below, one of the delicious breakfast meal, and below that a photo of a post card from the fine by-and-for establishment. The only thought left was this: “When will Modern Times open up in downtown Fargo and Grand Forks?”

Delicious, sensibly priced breakfast from Modern Times Cafe.

Delicious, sensibly priced breakfast from Modern Times Cafe.

A Modern Times Cafe postcard indicating that this is a place where punks bring their parents.

A Modern Times Cafe postcard indicating that this is a place where punks bring their parents.

At the right, the viewer is informed with the icons that Modern Times is anti-establishment. This includes an anarchist logo, a rainbow with lightning bolts, a pentagram (suggestive of neo-pagan revivalism or acceptance), a phrase that mocks “The All-Mighty Dollar” (strongly suggestive of a counter-capitalist culture), and so on. At the top is a descriptive banner that says, “Where the punks bring their parents; see also: where the punks are parents, where the punks become parents.” Seated in the lower left are two individuals, presumably a mother and her son. Impressionistically, the son is advertising to one and all that he doesn’t care (this indicative of his hoisted left-handed single digit and a “xxx” booze bottle in his right). His mother, like all loving mothers, is just happy to see that her son is engaged in activities of all sorts. She is responding to her son, saying, “That’s interesting honey…”


Post Un-Conference in North Dakota

We — the royal North Dakota humanities scholars We — just concluded an informal state-wide humanities get-together in downtown Fargo, North Dakota. It provided a venue to bring a large cross-section of North Dakotans together, pack them into one room, and get them talking about various projects they work on, this to generate unforeseen collaborations for future projects and programming.

Individual attendees came from a variety of institutions, and I’m not going to group them because the conversations cut across all sorts of arts, humanities, and social scientific lines. Scholars came from Williston State College, Minot State University, Sitting Bull College, Holden Village, Turtle Mountain Band of Chippewa, The Arts Partnership, Cardno ENTRIX, the North Dakota Council on the Arts, UND’s Scrap Iron Press, the Plains Art Museum, the First Sudanese Lutheran Church, Concordia College, the Bush Foundation, Bismarck State College, Candeska Cikana Community College, the German-Russian Country Tri-County Tourism Alliance, Prairie Talks, the North Dakota House of Representatives, Trefoil Cultural and Environmental, the ND American Civil Liberties Union, the Red Door Art Gallery & Museum, Cinema 100, the North Dakota Women’s Network, New Rivers Press, Preservation North Dakota, the Dakota Resource Council, the University of North Dakota, the Greater Grand Forks Community Theatre, Meadowlark Arts Council, North Dakota State University, the Northern Plains Ethics Institute, crack scholar Ken Smith from Ellendale, North Dakota, Prairie Public Radio, the State Historical Society of North Dakota, and the North Dakota Humanities Council. Here is a panoramic of it at one point.

Unconference

So that happened. And at the outset I didn’t really know what to expect. But it turns out that there are a lot of arts, humanities, and social scientific scholars on the northern Great Plains primed for this kind of discussion, and it was excellent to hear and see state-wide relationships being formed with individuals who had no idea that such potential collaborative relationships could even exist. Who knows what will come from a conversation? I say this to myself from time to time. The previously unforeseen has been realized, though, and a true genesis happened in numerous ways over the last couple days. More on all this down the line for sure.


Humanities Updates from the Northern Great Plains

CHRBefore this morning gets away from me, I thought I’d provide two humanities updates taking place in the great state of North Dakota, central North America. The first is a link-reference to the progress of our Punk Archaeology manuscript; and the second concerns the official press release from NDSU’s Center for Heritage Renewal on our continued Dakota book discussions. Of this latter, the discussions bring together the public and scholars to consider the Dakota Conflict and the subsequent punitive campaigns from 1862-1864, and where we, Native and non-Native relations, are today.

For more details, check out the uploaded hand-bill image to the left. Of this, the most recent discussion took place this Sunday past at the Opera House in Ellendale, Dickey County, North Dakota. This brought out a variety of topics, and the most attentive-grabbing and engaging at all of these events is that of Native historians and knowledge-keepers and scholars. After Tamara St. John, a Native historian and genealogist, spoke at this event, an attendee remarked on how (and I’m paraphrasing) they are starved for this kind of information.

For those of us up to our elbows in the history and historiography of the US-Dakota Conflict and Wars, we understand and often wrestle with accurate and precise and appropriate terminology, definitions, and so on. When we chat about this stuff with non-specialists, one of the most common remarks I have heard is this: “How come we weren’t taught any of this — attempted genocide, attempts at cultural destruction, attempts at forced assimilation — in our public education here in North Dakota, Minnesota and South Dakota?” I’m uncertain. But I do always insist on using attempts and attempted when talking about genocide, cultural destruction and assimilation. I do this because the Dakota, Lakota and Nakota, the Seven Council Fires, are alive and well today. We are pushing ahead as well with these discussions, and every time we have another conversation and chance to talk about this, legitimate history is happening. And if that is happening, so is that large, amorphous thing we call culture and the humanities.

When it comes to the public school systems, I’m sure there are plenty of politics behind all of the curriculum decisions from yesteryear and now. Perhaps that is something we in the future can consider, and perhaps in the future bring before various departments of public instruction in Minnesota, North Dakota and South Dakota. That would be at least one long-range goal to consider.

Nonetheless, the next discussion will be held at 2:00PM (CST) on November 10, 2013, at Sitting Bull College,  in the Science and Technology Center Room 120/101, Fort Yates, Standing Rock Reservation, North Dakota. And here is a photo from the discussion from last Sunday.

OLYMPUS DIGITAL CAMERA


Rough Notes from Minot, North Dakota

Some quick photos from the overnight trip Molly and I took to Minot, North Dakota in the last 36 hours. Upon arrival to Minot, we tracked down Molly’s good friend (and my cousin) Jessica. Housing and lodging is tough to come by in the Bakken, but Jess managed to track down a 250-square foot abode for $600/month. No griping, though. Jess is thoroughly happy to have a place to lay her head and make a meal. But crunch the numbers. This is Minot, North Dakota, folks, and not Harlem, home-sweet-home NYC.

Anyhow, here are a couple photos from Minot, October 25 and 26, 2013. Historians have been known to talk about Nature’s Metropolis. A historic specific of this is the rise and establishment of Chicago, say, in the latter half of the 19th century. One of the reasons Chicago happened was because of the agrarian and natural resource commodities pulled in by rail from the American West. Chicago, of course, used to be a cow town, originally a cattle off-loading and exchange point. It is different today.

With Minot, and other established village and population centers throughout the Bakken, historians are often watching these and wondering which cultural directions they will take. Pulling oil out of the ground is a messy and toxic business, and the flip-side of that is how it monetarily energizes cities and urban centers. The world, at least since the turn of the 19th century, has increasingly relied on petroleum as a dominant source of energy. It kind of just crept up on us over the course of 100 years, and has been the source of handy plastics and war.

I do wonder if the lot of us in the professional world of North Dakota could speak frankly about these dynamics: “Oil is getting spilled. Can we develop a statewide database that everyone can see to keep an eye on that?” Or, “How do we make oil money today and figure out how to use those profits to develop non-petroleum energy sources for when the black gold runs out?” Or, “How did over 850,000 gallons of oil over the course of 11 days get put into one end of a pipeline tube, and not get discovered until it covered some 7 football fields in some farmer’s field in northwestern North Dakota? Don’t we have some red buzzer that goes off if even 10,000 gallons goes missing from the outlet of the oil pipeline tube? If it goes in one end, and doesn’t come out the other end, how does that get missed?” Check out the stories here and here. Stuff like that.

But to return to the original point of this blog entry, here are some grand photos of the energized culture in Minot, Ward County, north-central North Dakota. The first is an established place, one of the last old wood-frame structures in the downtown known as the Blue Rider, owned by Walt Piehl.

Blue Rider

The next photo concerns the Souris River Brewery. Molly and I had bison meat balls there, as well as a great black bean sandwich. And excellent perogies. The glass of beer I had was, as expected, delicious.

Souris

And the next morning (or this morning), we took Jess’s recommendation to breakfast at Sweet & Flour Patisserie. We had French pressed coffee and an chevre-apricot croissant. Here is a shot of that from this morning.

Sweet and Flour