Tag Archives: Chicago

Northern Plains, Urbs in Horto, Era Bell Thompson

Three days ago it was my intent to blog some analog (lots of hand writing) notes I’ve been taking while digesting Era Bell Thompson’s 1946 memoir, American Daughter (University of Chicago Press). In 2025, doing anything analog is radical, aka, returning to the roots. So I picked it back up this late afternoon, June 22, 2025. The June 20, 2025 Summer Solstice derecho that ripped across central and eastern Northern Plains dropped 13 documented tornados (this one just east of Jamestown, near Spiritwood, video here) had everyone occupied with setting up temporary sleeping quarters in basements, and, later, trimming downed trees, along with checking in with loved ones from beginning to end from Bismarck to Jamestown to Valley City to Fargo to Grand Forks. Tragically and sadly the derecho’s violence took three to the other side.

Back to Era Bell Thompson. Two themes (non -exhaustive or -definitive) emerge from American Daughter:

Thompson narrates Northern Plains landscape beauty which, unless you as a reader don’t know this already, is part of the Great Plains literary canon. I imagine her narrative could apply to all grasslands ecosystems throughout the planet. But, specifically of eastern Burleigh County, North Dakota, in the vicinity of Driscoll, circa 1910s, have a look at this passage:

    “It was a strange and beautiful country my father had come to, so big and boundless he could look for miles and miles out over the golden prairies and follow the unbroken horizon where the midday blue met the bare peaks of the distant hills.

    No tree or bush to break the view, miles and miles of prairie hay-lands, acre after acre of waving grain, and, up above, God and that fiery chariot which beat remorsely down upon the parching earth.

    The evenings, bringing relief, brought also a greater, lonelier beauty. A crimson blur in the west marked the waning of the sun, the purple haze of the hills crept down to pursue the retreating glow, and the whole new world was hushed in peace.

    Now and then the silence was broken by the clear notes of a meadow lark on a near-by fence or the weird honk of wild geese far, far above, winging their solitary way south.

    This was God’s country. There was something in the vast stillness that spoke to the man’s soul, and he loved it.

    But not the first day.”

    Which leads to a second non-chronological theme: while on the farm in Driscoll, everyone but a few seemed to be in debt. The land was rented. Dwellings were rented. Money was borrowed to purchase equipment. Yet, while banker notes lingered over the heads of everyone, all farmers were still free. In her narrative leading up to page 49, Thompson lays the foundation for the lead up to farming working class revolution that swept the 1910s Northern Plains. Thompson speaks to her father’s perception of the 1916 rise of the Nonpartisan League on pages 50-51, teasing out the tension between the urban and rural:

    “In 1915 a growing rebellion against ‘big business’ and the ‘city fellers’ resulted in the formation of the Nonpartisan League, a political organization composed entirely of farmers. The League swept the country like a prairie fire… My father was cheered by this odd turn of events. When he left politics back in Des Moines, [Iowa] a rock-bound farm in the middle of North Dakota was the last place in the world he expected to find it again; but there it was, all about him, on the tongues of everyone, for the farmers were up in arms, drunk with their sudden strength and powers… That Saturday Pop went to Steele with Gus and Oscar Olson and August Nordland for a political rally at the Farmer’s Union hall. Something about Townley, the dynamic little organizer, inspired Pop, set him to thinking. Two weeks later, when Lynn J. Frazier, the League’s gubernatorial candidate, came through Driscoll campaigning, Pop was the first to shake his hand.”

    I’ll continue to analog my way through American Daughter. On chapter 4, now. I got to texting a bit about Era Bell Thompson with Bernard Turner with Bronzeville-Black Metropolis National Heritage Area (BBMNHA). It turns out Thompson’s papers are with the Chicago Public Library, linked here. Bernard and I are optimistic about developing a BBMNHA and Northern Plains NHA talk. Thompson was a part of both the urban and rural in Great Plains and Midwest history, and all the comparisons and contrasts and tensions that entailed. My next scheduled stop will be to get on the ground in and around Driscoll, to revisit the Era Bell Thompson sense of place. Be like Herodotus: also plan visits to go where the history was made, urban or rural. More to come on that.


    A Great Plains Airport

    On the morning of August 31, 2013, Molly and I took an early morning flight from Fargo to Buffalo, New York, with a connecting flight in Chicago. That morning in Fargo’s Hector airport, while we waited to board our flight, I typed out a description of my surroundings. The trinity takeaway from Buffalo: it is the birthplace of Richard Hofstadter and the Buffalo chicken wing, and it is also the city where Teddy Roosevelt was inaugurated after McKinley died from an assassin’s bullet.

    Okay, enough of that. Here is the late-August 2013 Fargo airport description in unadulterated form:

    It’s 5:12AM at the Fargo Airport, Gate 5, and Molly and I are waiting for the United Chicago flight to board around 5:30. I thought I’d give some descriptions of my surroundings, as this airport has a different social atmosphere than the Chicago hub we’re flying into.

    The view: there are about 15 of us so far, waiting to board. A slow trickle of passengers continues advancing toward their respective gates in the terminal. A lot of us are wearing sandals or easily removable shoes. This is for utility, as they are easier to slide off and on when entering and exiting the security checkpoints.

    The terminal itself has strip-mall aesthetics (in fact, it is unusual today to be in new construction that is non-strip mall-like). The color scheme is grey, blue, peach, and terracotta. Molly thinks elementary schools used to have this color scheme in the late-80s, at least around these parts, and at least if they were new back then. “New” is an elusive word, like “modern.” The floor and ceiling are carpet, and the walls smooth either with paint or wallpaper. Lighting here is recessed halogen fluorescent, or whatever they are called.

    It is dark in the early morning outside too. It is pitch black out there, the “United Express” logo on the plane illuminated by exterior lighting. Within the windows, we can only see the reflection of our Gate. There are three plants at Gate 5 too. They look real. The U.S. Fish & Wildlife Service has static signage near this gate, too, an information booth on local species.

    The sounds: a steady gentle hum persists from the black rectangular vending machine. It rattles occasionally, as the refrigeration compressor keeps the beverages cool. A couple of the families have young children, and they are a bit chatty. Other conversation, at least amongst the adults, is muffled. There is a silent kind of still, folks a bit groggy from getting up at 3:30 or 4:00AM, and others wanting to respect the quiet associated with this morning hour. A hum outside, toward the plane, is also audible. The conversations increase as we draw nearer to the boarding time, and as more and more folks arrive.

    The sensation: some folks feel like they want to sleep, but can’t. But they so would like to. Everyone knows that in 10 or 17 or 23 minutes or so, we will be asked to board the plane. For myself, there is slight warmth in my forehead, a kind that a person sometimes feels when without enough sleep.

    The smells: it smells similar to a hospital waiting room with occasional whiffs of coffee.